Book Shelf

Fable of the region

PETER W INGTY's book is a interesting exposition of certain historical truths writes ANANYA S GUHA

Is fiction a historical or is it embedded in personal histories? Is there anything such as the historical novel? Does it elude a stereotype, a ' definition ' thereby meaning that historical facts must colour such fiction, or is it a nuance of fact and fiction? How do fact and fiction coexist in such novels? 

Bhaskara: The Last Of The Varmans is a very interesting exposition of  certain historical truths, told in the style of a fable. The hitherto unexplored North East region of India, in the vast and stupendous canvas of Indian history, is given its due. Bhaskara the last of the Varmans after his father's death rules an undivided kingdom with the help of his friend and mentor Harsha Vardhana whom he had met in Nalanda as a co student. They keep in touch and Bhaskara establishes rapport with Kanauj and Thanesar the two citadels of Harsha Vardhana's ancient kingdom. Through the aegis of Yuan Xang popularly known as Hieun Tsang there is cultural, political and social contact with the China of yore. Hieun Tsang after visiting Harsha Vardhana's stately court also comes as as guest of Bhaskara, to find that Buddhism and Hinduism co exist in Kamrupa.
 
The town  Kamrupa is known as the ''City Of The Eastern Light'' and the river Songdu an epistemology of Tsangpo, now known as the mighty Brahmaputra flows ceremoniously through the kingdom of Bhaskara. In between the alliance of Harsha and Bhaskara to extirpate the ruthless and cunning Sasanka of Gaur ( Bengal) is highlighted. The bonds are further cemented by the emissary of Bhaskara's visit to the Chin nation. Bhaskara's  friend's son remains there to marry a local pretty lady and the progeny one assumes are a lineage to this amalgam of cultures. Throughout the narratives it is a racy history which establishes a connection between the eastern, north eastern, central and western of what we now call India. This historical intersection of east, west and central show a broad unification of the concept that is India.
 
The constant reference to the rivers Songdu and Jinjiram, expose the myth of rivers, and their time immemorial locus standing. ''The City Of Eastern Light'' acts a poetic metaphor throughout the novel, light symbolizing the resplendence of a culture and a kingdom. Things flourish here as it were- whether it is food, water, fruits, or beasts. The town of Kamrupa is a beautiful sight. 
 
After Bhaskara's death his successor Sanathamba marked for his piety continues the good work silently, but a modern day Tsunami destroys the kingdom. A pivotal plot of the narrative is the tri colour- Hieun Tsang, Harsha Vardhana and Bhaskara, and their interactions through decades. Again, after Bhaskara's demise the kingdom cannot continue, it will not. Floods inundate the civilization, and those who remain are compelled to move on to a new place. The interesting feature of the novel is Buddhism, both Harsha Vardhana and Hieun Tsang are avowed Buddhists, in fact as history tells us the Chinese pilgrim came to India to specifically study and meditate on the scriptures. Bhaskara on the other hand is not a Buddhist, but history has taught him to be eclectic perhaps. Even as a young man when he chased the elusive tiger, he learnt how to accept realities. Bhaskara had imbibed Buddhist ideals in his visit to Nalanda, and in the midst of his academic pursuits met his friend Harsha Vardhana. 
 
This is a novel not of design but having in its trap door a history which is now extant. We all have heard of Harsha Vardhana, Hieun Tsang and even Sasanka, but how many history texts recapture the arcane myth of friendship, between Bhaskara and Harsha Vardhana? The novelist has re written history and given us its captive imagination. Again, the periphery that was North East India still remains so...?!
 
The ''Sequel'' to the novel underlies my last question, in the first paragraph of the review: how do fact and fiction co exist (in fiction)? The very fact that the Archaelogical Survey Of India field workers and researchers excavate an ancient civilization, reminiscent to this one induces the trajectory: ''Was this fortified city the location of the legendary City Of Eastern Light in the ancient kingdom of Kamrupa'' after the Brahmaputra changed course? The excavation took place in 1992, fact and fiction are blurred. A wonderful historical novel! It is subversive and challenges historical myths and archetypes.
 
Name: '' Bhaskara: The Last Of The Varmans''
 
Author: P.W.Ingty
 
Publisher: Strategic Book Publishing And Rights Co. ( Houston USA)
 
Pages:    113
 
Price   :  13 US Dollars

Ananya.S. Guha25 Posts

used to work with the Indira Gandhi National Open University, Shillong (Meghalaya) as an Academic Administrator. He has over 30 years of teaching and administrative experience. He has six collections of poetry and his forms have been published world wide. Some of his poems are due to appear soon in an Anthology of Indian Poetry in English to be published by Harper Collins.

Sunset Years

ANANYA S GUHA sums up the discussion on “Old Age Homes” at the recently held Shillong CALM Festival 2013

Sun, 19 May 2013

The Calm of the CALM Festival

Picturesque Shillong gears up to celebrate creativity in the arts, music and literature writes Ananya S Guha

Mon, 22 Apr 2013

Fiction Online

Ananya S Guha writes about the eFiction Magazine, a literary online journal which blends tradition with modernity

Mon, 25 Mar 2013

Peace in Violence

Ananya S. Guha analyses the nuances of Northeast Indian Poetry

Tue, 28 Feb 2012

All for Land

The struggle for land seems to be the crux of all conflict in the region, writes Ananya S Guha

Wed, 01 Aug 2012

One Sohra Summer

Iadalang Pyngrope's book is a delightful blend of history and fiction writes ANANYA S GUHA

Tue, 20 May 2014

Poetry of Darius Cooper

ANANYA S GUHA traverses multiplicity of worlds in the poems of Darius Cooper

Wed, 07 May 2014

Mosaic

Iadalang Pyngrope's poems are experiential totality writes ANANYA S GUHA

Mon, 10 Mar 2014

Fable of the region

PETER W INGTY's book is a interesting exposition of certain historical truths writes ANANYA S GUHA

Fri, 17 Jan 2014

Tea Motif

NINA HARKNESS's novel straddles three decades in tea estates writes ANANYA S GUHA

Thu, 09 Jan 2014

Honour for Temsula Ao

ANANYA S GUHA chats with Sahitya Akademi award winning writer TEMSULA AO

Sun, 22 Dec 2013

Media Matters

ANANYA S GUHA ponders over the role of media in India

Mon, 14 Jul 2014

Rewriting history

ANANYA S GUHA looks at the alienation question of Northeast India

Tue, 03 Jun 2014

Reflections and dreams

ANANYA S GUHA urges to give free fictive imagination to one's dreams

Sat, 29 Mar 2014

Christmas and Me

ANANYA S GUHA gives a flavour of Christmas in Shillong

Sun, 22 Dec 2013

Paths and Stones

ANANYA S GUHA tries to sing a song of stones

Wed, 24 Jul 2013

A poem happens

ANANYA S GUHA on the birth of a poem

Thu, 13 Jun 2013

Fractured Mindset

Northeast India: Where does alienation stem from? The sub nationalism or nationalism that was at stake through the tortured histories of some of the states of Northeast India is the crux. This matrix has been lucidly evoked by Sudeep Chakravarti's book Highway 39 Journeys through a Fractured Land. Ananya S Guha probes into the causes which perpetuates an alienated mindset in the dialectics of mainland and outland.

Sun, 01 Jul 2012

Soccer in Shillong

ANANYA S GUHA reminisces over soccer-soaked Shillong days

Thu, 12 Jun 2014

Independence Day and Me

ANANYA S GUHA recollects memories of Independence Day celebrations in Shillong

Tue, 13 Aug 2013

A new thrust

The Thumb Print Conversations at the Shillong CALM Festival reiterated the need to obviate misconceptions of the region writes ANANYA S GUHA

Sun, 12 May 2013

Storm in CALM

The countdown for Shillong CALM Festival 2013 begins writes ANANYA S GUHA

Fri, 03 May 2013

Politics of Honesty

Even his worst adversaries admit that Tripura chief minister Manik Sarkar is an impeccably honest man, a rare breed among politicians today writes Ananya S Guha

Wed, 13 Mar 2013

The Sardar we know

ANANYA S GUHA analyses the recent debate over Sardar Patel

Fri, 01 Nov 2013

Liquid Ambience in Poetry

Mitali Chakravarty’s poems alternate between spirituality and the down to earth.

Sun, 28 Jul 2024